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LAB

MAKING STUDIES

pattern

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leather

3L Membrane Structure and Adhesive Film Study

material

I disassembled a three-layer (3L) garment to examine its membrane structure, surface texture, and thermoplastic adhesive film. The study focused on layer adhesion and delamination mechanisms, including the potential effects of sweat and contaminants on bonded materials.

3L Membrane Structure and Adhesive Film Study — photo 13L Membrane Structure and Adhesive Film Study — photo 23L Membrane Structure and Adhesive Film Study — photo 3
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Ballistic Helmet Material Study: UHMWPE & Carbon Fiber at PID

material

Expanding on my research at Preview in Daegu (PID), I explored the application of ultra-high-molecular-weight polyethylene (UHMWPE) and carbon fiber in ballistic helmets, focusing on their material properties, structural characteristics, and potential applications in protective equipment.

Ballistic Helmet Material Study: UHMWPE & Carbon Fiber at PID — photo 1Ballistic Helmet Material Study: UHMWPE & Carbon Fiber at PID — photo 2
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Black Wax Coating Study: Hedi Slimane’s Dior Homme Era

material

Inspired by the black wax finish from Hedi Slimane’s Dior Homme era, I experimented with a mixture of binder, black dye, and pearlescent pigment to recreate its distinctive dark sheen and surface texture.

Black Wax Coating Study: Hedi Slimane’s Dior Homme Era — photo 1
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Black Wax Coating Workshop

material

I conducted a workshop for junior students and classmates, explaining the principles of black wax-effect coating and the mixing ratios of binder, black dye, and pearlescent pigment.

Black Wax Coating Workshop — photo 1Black Wax Coating Workshop — photo 2Black Wax Coating Workshop — photo 3
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C.P. Company Utility Jacket Pattern Copy

pattern

I recreated the pattern of a C.P. Company utility jacket using images alone. This was a practice exercise in translating a designer’s drawings into a pattern.

C.P. Company Utility Jacket Pattern Copy — photo 1
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Crystal-Finished Gloves

material

I dissolved a recrystallizing agent in a solvent and immersed the gloves in the solution for an extended period, allowing crystals to form and accumulate on the fabric surface.

Crystal-Finished Gloves — photo 1Crystal-Finished Gloves — photo 2
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Exploring Textile Innovations at PID

material · I visited Preview in Daegu (PID) to research emerging textile materials and technologies, exploring their potential applications in future fashion design.

Exploring Textile Innovations at PID — photo 1Exploring Textile Innovations at PID — photo 2Exploring Textile Innovations at PID — photo 3Exploring Textile Innovations at PID — photo 4Exploring Textile Innovations at PID — photo 5Exploring Textile Innovations at PID — photo 6
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Further Development of Trompe-l’œil Washed Finish

material

To address paint peeling in the previous trompe-l’œil washed finish, I incorporated a binder into the colorant to improve adhesion to the fabric and refine the surface treatment.

Further Development of Trompe-l’œil Washed Finish — photo 1
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indigo cotton garment dyeing process

dye

Garment-dyed cotton fabric using natural indigo paste.

indigo cotton garment dyeing process — photo 1
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Low-Waste Signature 3D Pattern for Protective Workwear

pattern

This pattern was developed for functional workwear, with a three-dimensional structure specifically designed for firefighting and military uniforms.

Low-Waste Signature 3D Pattern for Protective Workwear — photo 1Low-Waste Signature 3D Pattern for Protective Workwear — photo 2Low-Waste Signature 3D Pattern for Protective Workwear — photo 3
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Pattern Development for a Professional Wrestler Action Figure

pattern

I developed garment patterns for a professional wrestler action figure, focusing on efficient construction, seam placement, and the assembly of individual pattern pieces.

Pattern Development for a Professional Wrestler Action Figure — photo 1Pattern Development for a Professional Wrestler Action Figure — photo 2
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Reflective Pigment Spray Study: Carol Christian Poell & Stone Island

material

Inspired by the reflective surface treatments of Carol Christian Poell and Stone Island, I experimented with a commercially available reflective spray, applying it by hand to study its application process and surface effects.

Reflective Pigment Spray Study: Carol Christian Poell & Stone Island — photo 1Reflective Pigment Spray Study: Carol Christian Poell & Stone Island — photo 2
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Thermochromic Fabric Coating Study: Stone Island

material

Inspired by Stone Island’s thermochromic fabric treatments, I experimented with commercially available thermochromic paint, applying it by hand with a brush to study its temperature-responsive color changes and surface effects.

Thermochromic Fabric Coating Study: Stone Island — photo 1
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Traditional Wax-Based Water-Repellent Coating Study

material

I applied pure paraffin wax to fabric by hand to explore traditional water-repellent treatments, then conducted a water-pouring test to observe its surface water repellency.

Traditional Wax-Based Water-Repellent Coating Study — photo 1
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UHMWPE Ripstop Crossbody Bag

material

A crossbody bag constructed using an independently developed pattern and ripstop fabric reinforced with ultra-high-molecular-weight polyethylene (UHMWPE) fibers. The material was selected for its lightweight structure, high tensile strength, and abrasion resistance.

UHMWPE Ripstop Crossbody Bag — photo 1
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