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LAB

MAKING STUDIES

pattern

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dye

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leather

3L Membrane Structure and Adhesive Film Study

material

I disassembled a three-layer (3L) garment to examine its membrane structure, surface texture, and thermoplastic adhesive film. The study focused on layer adhesion and delamination mechanisms, including the potential effects of sweat and contaminants on bonded materials.

3L Membrane Structure and Adhesive Film Study — photo 13L Membrane Structure and Adhesive Film Study — photo 23L Membrane Structure and Adhesive Film Study — photo 3
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Ballistic Helmet Material Study: UHMWPE & Carbon Fiber at PID

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Expanding on my research at Preview in Daegu (PID), I explored the application of ultra-high-molecular-weight polyethylene (UHMWPE) and carbon fiber in ballistic helmets, focusing on their material properties, structural characteristics, and potential applications in protective equipment.

Ballistic Helmet Material Study: UHMWPE & Carbon Fiber at PID — photo 1Ballistic Helmet Material Study: UHMWPE & Carbon Fiber at PID — photo 2
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Black Wax Coating Study: Hedi Slimane’s Dior Homme Era

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Inspired by the black wax finish from Hedi Slimane’s Dior Homme era, I experimented with a mixture of binder, black dye, and pearlescent pigment to recreate its distinctive dark sheen and surface texture.

Black Wax Coating Study: Hedi Slimane’s Dior Homme Era — photo 1
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Black Wax Coating Workshop

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I conducted a workshop for junior students and classmates, explaining the principles of black wax-effect coating and the mixing ratios of binder, black dye, and pearlescent pigment.

Black Wax Coating Workshop — photo 1Black Wax Coating Workshop — photo 2Black Wax Coating Workshop — photo 3
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C.P. Company Utility Jacket Pattern Reconstruction

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I reconstructed the pattern of a C.P. Company utility jacket using only visual references, translating its silhouette, proportions, and structural details into a functional garment pattern.

C.P. Company Utility Jacket Pattern Reconstruction — photo 1
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Crystal-Finished Gloves

material

I dissolved a recrystallizing agent in a solvent and immersed the gloves in the solution for an extended period, allowing crystals to form and accumulate on the fabric surface.

Crystal-Finished Gloves — photo 1Crystal-Finished Gloves — photo 2
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Exploring Textile Innovations at PID

material · I visited Preview in Daegu (PID) to research emerging textile materials and technologies, exploring their potential applications in future fashion design.

Exploring Textile Innovations at PID — photo 1Exploring Textile Innovations at PID — photo 2Exploring Textile Innovations at PID — photo 3Exploring Textile Innovations at PID — photo 4Exploring Textile Innovations at PID — photo 5Exploring Textile Innovations at PID — photo 6
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Further Development of Trompe-l’œil Washed Finish

material

To address paint peeling in the previous trompe-l’œil washed finish, I incorporated a binder into the colorant to improve adhesion to the fabric and refine the surface treatment.

Further Development of Trompe-l’œil Washed Finish — photo 1
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indigo cotton garment dyeing process

dye

Garment-dyed cotton fabric using natural indigo paste.

indigo cotton garment dyeing process — photo 1
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Low-Waste Signature 3D Pattern for Protective Workwear

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This pattern was developed for functional workwear, with a three-dimensional structure specifically designed for firefighting and military uniforms.

Low-Waste Signature 3D Pattern for Protective Workwear — photo 1Low-Waste Signature 3D Pattern for Protective Workwear — photo 2Low-Waste Signature 3D Pattern for Protective Workwear — photo 3
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Pattern Development for a Professional Wrestler Action Figure

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I developed garment patterns for a professional wrestler action figure, focusing on efficient construction, seam placement, and the assembly of individual pattern pieces.

Pattern Development for a Professional Wrestler Action Figure — photo 1Pattern Development for a Professional Wrestler Action Figure — photo 2
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Reflective Pigment Spray Study: Carol Christian Poell & Stone Island

material

Inspired by the reflective surface treatments of Carol Christian Poell and Stone Island, I experimented with a commercially available reflective spray, applying it by hand to study its application process and surface effects.

Reflective Pigment Spray Study: Carol Christian Poell & Stone Island — photo 1Reflective Pigment Spray Study: Carol Christian Poell & Stone Island — photo 2
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Thermochromic Fabric Coating Study: Stone Island

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Inspired by Stone Island’s thermochromic fabric treatments, I experimented with commercially available thermochromic paint, applying it by hand with a brush to study its temperature-responsive color changes and surface effects.

Thermochromic Fabric Coating Study: Stone Island — photo 1
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Traditional Wax-Based Water-Repellent Coating Study

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I applied pure paraffin wax to fabric by hand to explore traditional water-repellent treatments, then conducted a water-pouring test to observe its surface water repellency.

Traditional Wax-Based Water-Repellent Coating Study — photo 1
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UHMWPE Ripstop Crossbody Bag

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A crossbody bag constructed using an independently developed pattern and ripstop fabric reinforced with ultra-high-molecular-weight polyethylene (UHMWPE) fibers. The material was selected for its lightweight structure, high tensile strength, and abrasion resistance.

UHMWPE Ripstop Crossbody Bag — photo 1
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2016 Vetements Pattern Reconstruction Study

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I studied and reconstructed the distinctive pattern construction of Vetements’ 2016 collections, focusing on exaggerated proportions, silhouette, and structural design.

2016 Vetements Pattern Reconstruction Study — photo 1
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Collarless Blazer Draping Study with Heavyweight Fabric

pattern

I developed a collarless blazer bodice pattern by manipulating the structural lines of a heavyweight fabric with limited drape, achieving a refined silhouette through controlled shaping.

Collarless Blazer Draping Study with Heavyweight Fabric — photo 1
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Curved Sleeve Pattern Development

pattern

I explored exaggerated sleeve curvature through pattern manipulation, adjusting the sleeve cap to balance volume and achieve a natural, three-dimensional silhouette.

Curved Sleeve Pattern Development — photo 1Curved Sleeve Pattern Development — photo 2
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Exaggerated Curved Sleeve Pattern Study

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I developed a sleeve pattern with exaggerated curved lines and a flared wrist opening, designed to reduce movement restriction while maintaining an elongated silhouette.

Exaggerated Curved Sleeve Pattern Study — photo 1
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Experimental Draping Through Exaggerated Curved Lines

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I explored experimental draping using paper, manipulating exaggerated curved lines to investigate unconventional pattern cuts and three-dimensional forms.

Experimental Draping Through Exaggerated Curved Lines — photo 1Experimental Draping Through Exaggerated Curved Lines — photo 2
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Fabric Yardage Optimization Study

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I calculated the optimal fabric yardage for a standard shirt pattern, considering grain direction, pattern piece geometry, and cutting layout to minimize fabric waste.

Fabric Yardage Optimization Study — photo 1
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High-Neck and Cowl Draping Pattern Study

pattern · I explored high-neck and cowl variations through draping, developing a versatile base pattern that allows for further refinement and structural manipulation.

High-Neck and Cowl Draping Pattern Study — photo 1
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Ink and Indigo Double-Dyeing Study

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I experimented with combining ink and indigo through different dyeing methods to develop distinctive color effects. This study later evolved into a process combining ink dyeing with a carbon black and binder coating.

Ink and Indigo Double-Dyeing Study — photo 1
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One-Piece Tailored Pattern Development

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I explored transforming a conventional two-piece tailored pattern into a single-piece construction through extensive pattern line manipulation and rearrangement, focusing on structural efficiency and minimizing fabric waste.

One-Piece Tailored Pattern Development — photo 1
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Peer Patternmaking Instruction with '박성준'

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I provided hands-on patternmaking guidance to fellow student 박성준(대구대 패션디자인학과), sharing practical knowledge of pattern construction and development.

Peer Patternmaking Instruction with '박성준' — photo 1Peer Patternmaking Instruction with '박성준' — photo 2
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Shawl Collar Draping Study with Heavyweight Fabric

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I developed a shawl collar bodice pattern by manipulating the structural lines of a heavyweight fabric with limited drape, creating a refined silhouette through controlled shaping.

Shawl Collar Draping Study with Heavyweight Fabric — photo 1
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Three-Dimensional Pattern Study Through Dart Manipulation

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I explored three-dimensional form through the subdivision and multidirectional manipulation of darts. Initially, I attempted to create volume directly from a basic block, but discovered that developing a sleeve pattern, dividing it into panels, and then manipulating the darts would have been a more effective approach. This study challenged my initial assumptions and deepened my understanding of pattern construction.

Three-Dimensional Pattern Study Through Dart Manipulation — photo 1Three-Dimensional Pattern Study Through Dart Manipulation — photo 2
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Trompe-l’œil Washing Technique Lecture

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I taught a trompe-l’œil washing technique using a mixture of dye and binder in controlled proportions. By applying lighter shades in layers over the fabric’s original color, the technique creates the illusion of a naturally washed finish.

Trompe-l’œil Washing Technique Lecture — photo 1Trompe-l’œil Washing Technique Lecture — photo 2Trompe-l’œil Washing Technique Lecture — photo 3
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Vash the Stampede DTP T-Shirt

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As part of Daegu University's Digital Textile Printing (DTP) curriculum, I created a Vash the Stampede–themed T-shirt, incorporating digital textile printing and hand-sewn details.

Vash the Stampede DTP T-Shirt — photo 1
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Vintage Button Archive: Inspired by ARCHIVIO J.M. RIBOT

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Inspired by ARCHIVIO J.M. RIBOT, I have been collecting vintage buttons, exploring how individual differences in form, material, and texture can create a cohesive aesthetic. Through this collection, I seek to develop my own interpretation of harmony through variation.

Vintage Button Archive: Inspired by ARCHIVIO J.M. RIBOT — photo 1
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Vintage Stamp Printing and Cracked Print Study

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I experimented with recreating vintage single-color stamp printing and developed a custom ink formulation to reproduce the distinctive cracking effects of aged prints.

Vintage Stamp Printing and Cracked Print Study — photo 1Vintage Stamp Printing and Cracked Print Study — photo 2
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Vintage T-Shirt Single-Stitch Effect Study

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I experimented with recreating vintage T-shirt single-stitch seams using overlock and interlock machines. By folding the fabric into an S shape, stitching through the overlapping layers, removing selected stitches, and pressing the fabric, I achieved a finish resembling traditional single-stitch construction.

Vintage T-Shirt Single-Stitch Effect Study — photo 1Vintage T-Shirt Single-Stitch Effect Study — photo 2
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Women's A-Line Dress Pattern Study

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I explored the construction of a women's A-line dress, focusing on silhouette, structural lines, and dart manipulation to understand shaping and volume in garment pattern development.

Women's A-Line Dress Pattern Study — photo 1Women's A-Line Dress Pattern Study — photo 2
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